Installation views of my exhibition ‘One Leg Supporting the Weight of the Body, the Other Slightly Bent’ for National Trust…
Upcoming Writing
I’ve been busy writing a number of different texts in the past few weeks. These include: – A series of…
Fiona Banner Profile
Fiona Banner did very little work at art college. “Next to no work,” she admits. “I struggled away with making…
Mat Collishaw
The last supper, the mother and child, the massacre of the innocents – Mat Collishaw’s subjects are epic and enduring.…
Mat Collishaw: In Camera
Photographs are often electrified as much by context as by content. Take, for instance, a box of photographic negatives containing…
Joana Hadjithomas & Khalil Joreige: I must first apologise…
“I can’t trust anybody … My husband left me a large amount of money … Thanks to free internet access…
After Carl – An interview with André de Jong, Andrew Lacon and Cathy Wade
‘After Carl’ discusses the discrepancies around Carl Andre’s ‘Equivalent VIII’ (1966), its description, measurements, provenance and position within art history…
Hands contain knowledge: exploring the drawings of Lee John Phillips
Washers, nails, screwdrivers, tubes of glue and electrical socket covers fill the sketchbook pages of Lee John Phillips. But while…
Still House: Of Riders and Running Horses
Like a flock of birds, five female dancers circle, gather and glide across the tarmac of a rooftop car park.…
Sven Bergelt: Future Worn Out New One
Birmingham has something of a reputation for the destruction of its architectural heritage. From the sites of former Victorian, Edwardian…
Anneka French 