A pair of young women dressed in heavy skirts and high-necked Edwardian blouses are perched in a small rowing boat…
Q&A With Yelena Popova
Best known for her abstract, sometimes barely-there paintings, Russian-born Yelena Popova‘s exhibition, ‘After Image’, recently opened at Nottingham Contemporary – her first solo show in a…
Q&A with John Stezaker
John Stezaker came to prominence in the 1990s with his arresting photographic collages constructed from found images. Now internationally acclaimed,…
Tereza Buskova: Clipping the Church
Tereza Buskova’s practice reinterprets local customs and folkloric rituals through performance, film and photography. Many of the idiosyncratic customs that…
Transforming the Future Past: Issue One
How do you make sense of a place that has been transformed beyond almost all recognition in physical, economic, social and…
Digital-oriented practice: two-year initiative explores new models of working
The Office for Art, Design and Technology is a new two-year programme of residencies, events, exhibitions and professional development for…
Brian J Morrison: Tension
Variously suspended, wedged, curved and grounded are a new body of sculptural works from Brian J Morrison. Shown at The…
Sven Bergelt Publication
My writing appears in a new publication from Leipzig-based artist Sven Bergelt titled Future Worn Out New One. The publication…
Louise Bourgeois: Structures of Existence: The Cells
A cell is a modular unit for generating life; it is also an isolating space for protection, reflection and for…
George Hields: Discarded Sleeping Stations
Much is made in the preface to Discarded Sleeping Stations of connections between this new body of work by George…
Anneka French 