The body is perpetually subject to a range of competing personal, political, social and technological concerns. The ways in which…
A pigsty(e) and a parcel of land
A text produced as part of The Bear and Ragged Staff: Ideas of the Rural residency at The Glasshouse, Leamington…
Frederick Hubble: Hypha
KH7artspace is delighted to present the first international solo exhibition by UK artist Frederick Hubble. Frederick Hubble: Hypha KH7artspace,…
Jon Tonks: Stories of Home
I’ve also been working with photographer Jon Tonks on his exhibition Stories of Home, a series of new photographic portraits…
Jaskirt Boora: Mitti Di Khushboo – The Smell of the Land
For the last few months I’ve been working with award-winning photographer Jaskirt Boora on her exhibition Mitti Di Khushboo –…
Elizabeth Price: FELT TIP Review
Elizabeth Price’s architectural intervention THE GOVERNING BODY (2019), a giant zig-zagging sculpture much like a visualisation of a soundwave, introduces some of…
A Q&A with… Lauren Gault
For her first show in England at Grand Union in Birmingham, Glasgow-based artist Lauren Gault has produced a new body…
Dragana Jurišić Interview
Former Yugoslavian artist, Dragana Jurišić, who has been based in Dublin for almost twenty years, has developed a beautiful and…
Artists, curating and disability: “We need to shift the notion of the curator as an author to somebody that listens”
A recent event at MAC in Birmingham brought practitioners and curators together to interrogate ‘the (in)visibility of disabled artists’. Anneka…
A Q&A with… Barbara Walker
The Birmingham-based artist’s exhibition ‘Vanishing Point’ addresses the underrepresentation of black figures in Western history and presents a new group…
Anneka French 