Elizabeth Price’s architectural intervention THE GOVERNING BODY (2019), a giant zig-zagging sculpture much like a visualisation of a soundwave, introduces some of…
A Q&A with… Lauren Gault
For her first show in England at Grand Union in Birmingham, Glasgow-based artist Lauren Gault has produced a new body…
Dragana Jurišić Interview
Former Yugoslavian artist, Dragana Jurišić, who has been based in Dublin for almost twenty years, has developed a beautiful and…
Artists, curating and disability: “We need to shift the notion of the curator as an author to somebody that listens”
A recent event at MAC in Birmingham brought practitioners and curators together to interrogate ‘the (in)visibility of disabled artists’. Anneka…
A Q&A with… Barbara Walker
The Birmingham-based artist’s exhibition ‘Vanishing Point’ addresses the underrepresentation of black figures in Western history and presents a new group…
Essay for In the blink of an eye
An essay commissioned by artist Sarah Fortes Mayer as part of her solo exhibition In the blink of an eye…
Residency: Bear & Ragged Staff: Ideas of the Rural
I am delighted to be taking part in a short residency as part of Coventry Biennial Activities in November 2018:…
Madrid: A reflection and an anticipation
A text produced via interview in anticipation of a residency visit to Madrid, 2016, with IED and Grain Photography Hub.…
Interview: Will Ryman
New York-based sculptor Will Ryman recently unveiled his first large-scale European presentation of work in La Villette, an expansive urban…
A Q&A with… Claire Barclay
For ‘Deep Spoils’, the Glasgow-based Scottish artist’s first exhibition in Wales, Claire Barclay has responded to the history and architecture…
Anneka French 