Ingrid Pollard migrated from Guyana to London in 1956 and now lives in rural Northumberland. This ambitious new exhibition, for…
Fertile Myths
A interview with Alice Qianhui Sun about the research and personal experiences that drive her painting and sculptural practice. Read…
Jean-Marc Caimi + Valentina Piccinni: Fastidiosa
Fastidiosa centres upon the devasting multi-layered impact of an agricultural and ecological epidemic caused by the bacteria Xylella Fastidiosa that is…
Carolyn Mendelsohn: Through Our Lens: Growing up with Covid-19
Through Our Lens: Growing up with Covid-19 (originally known as Through Our Lens – Covid 19 Project) began in April 2020 as…
Offsite 9
Artist texts published to coincide with Offsite 9, a programme of arts activity commissioned by Creative Black Country programmed alongside…
Casey Orr: Saturday Girl
“I only photographed on Saturday afternoons, a time when people are out to meet friends, shop, hang out, to look…
Art Quarterly Spring 2022
I’ve contributed three texts to Art Quarterly Spring 2022. These are a review of Keith Piper’s exhibition Jet Black Futures…
Nicola Muirhead: Unseen
A double page spread of photographs look as though they are on fire. In the left of the two, a…
Phyllis Christopher: Heads and Tails
Cradled in the blacked-out gallery space of Grand Union are a series of silver gelatin prints, digital prints and digitised…
Art Quarterly Winter 2021
I wrote three pieces for Art Quarterly Winter 2021: previews of Polly Braden’s Holding the Baby at Arnolfini and of…
Anneka French 