“I only photographed on Saturday afternoons, a time when people are out to meet friends, shop, hang out, to look…
Art Quarterly Spring 2022
I’ve contributed three texts to Art Quarterly Spring 2022. These are a review of Keith Piper’s exhibition Jet Black Futures…
Nicola Muirhead: Unseen
A double page spread of photographs look as though they are on fire. In the left of the two, a…
Phyllis Christopher: Heads and Tails
Cradled in the blacked-out gallery space of Grand Union are a series of silver gelatin prints, digital prints and digitised…
Art Quarterly Winter 2021
I wrote three pieces for Art Quarterly Winter 2021: previews of Polly Braden’s Holding the Baby at Arnolfini and of…
Anthony Luvera: Agency
The pedestrian route from Coventry train station to the city centre is a well-travelled one, taking in a mixture of…
DreamsTimeFree Soft Tissue
DreamsTimeFree is an annual limited edition publication series of experimental artists writing published by TACO! Responding to the theme of Soft Tissue,…
The British Invasion
‘The British Invasion’ exhibition opened in Blackburn as part of 2021’s British Textile Biennial. Anneka French spoke to the show’s…
Turner Prize 2021
I did some copywriting and copyediting work on the catalogue for Turner Prize 2021, exhibited at The Herbert Art Gallery…
Art Quarterly Autumn 2021
I reviewed Rafal Niemojewski’s Biennials: The Exhibitions We Love to Hate for Art Quarterly Autumn 2021. Art Quarterly is published…
Anneka French 