Calling Me Home (all works 2019) shows a figure dressed in a buffalo mask trimmed with fringing and bandaged horns. She … More
Category: Reviews
Art Quarterly Winter 2019
I contributed a review of Amalia Pica’s solo exhibition Private & Confidential at The New Art Gallery Walsall to Art … More
Ericka Beckman and Marianna Simnett Review
The body is perpetually subject to a range of competing personal, political, social and technological concerns. The ways in which … More
Elizabeth Price: FELT TIP Review
Elizabeth Price’s architectural intervention THE GOVERNING BODY (2019), a giant zig-zagging sculpture much like a visualisation of a soundwave, introduces some of … More
Claire Davies: The Valley of Lost Things review
Walking into the exhibition space from behind two angled, billboard-like projection screens, we are funnelled in an eerie green light … More
Daisuke Yokota: Emergence
Daisuke Yokota’s first London solo exhibition is titled ‘Emergence’. Yet it is difficult to say what exactly might be emerging … More
Best exhibitions of 2016: a-n writers pick their top five shows
Five a-n News writers – based in London, Birmingham and Glasgow – pick, in no particular order, their top five … More
The Human Document
Two distinct halves comprise The Human Document, a photographic study of poverty at Warwick Art Centre’s Mead Gallery. The first … More
Ayan Farah: Maps
Ayan Farah’s large paintings are stained, soaked and dipped with natural pigments sourced from across the world – plant dyes, … More
Uncovering the Invisible
Uncovering the Invisible is a relatively small exhibition comprising twenty-two simply framed and simply hung individual portraits of men, women … More
