A double page spread of photographs look as though they are on fire. In the left of the two, a … More
Author: annekafrench
Phyllis Christopher: Heads and Tails
Cradled in the blacked-out gallery space of Grand Union are a series of silver gelatin prints, digital prints and digitised … More
Art Quarterly Winter 2021
I wrote three pieces for Art Quarterly Winter 2021: previews of Polly Braden’s Holding the Baby at Arnolfini and of … More
Anthony Luvera: Agency
The pedestrian route from Coventry train station to the city centre is a well-travelled one, taking in a mixture of … More
DreamsTimeFree Soft Tissue
DreamsTimeFree is an annual limited edition publication series of experimental artists writing published by TACO! Responding to the theme of Soft Tissue, … More
The British Invasion
‘The British Invasion’ exhibition opened in Blackburn as part of 2021’s British Textile Biennial. Anneka French spoke to the show’s … More
Turner Prize 2021
I did some copywriting and copyediting work on the catalogue for Turner Prize 2021, exhibited at The Herbert Art Gallery … More
Art Quarterly Autumn 2021
I reviewed Rafal Niemojewski’s Biennials: The Exhibitions We Love to Hate for Art Quarterly Autumn 2021. Art Quarterly is published … More
within the four walls of the photograph’s frame
A text written to accompany a solo exhibition titled 13 Prints 36×24 by Adele Mary Reed at Commonground.
Close your eyes; press down on your lids
A text written to accompany a solo exhibition by Rosie Morris at the Hatton Gallery, Newcastle.
Anneka French 